The rhetorical question ‘why should we care’ brings back this cynical tone and also the brutal reality of the world’s indifference and sheer ignorance to war, reinforced by ‘neighbours use the subterfuge of curtains’ to hide from the problem. "You must agree to out terms of services and privacy policy", Don't use plagiarized sources. The War Horse is a memory of Eavan’s of a horse from the tinker camp in Enniskerry that got loose and is on her road and trampled flowers and eats the leaves.

Born in Dublin, Ireland, she was one of the foremost female voices in Irish literature. The appeal of Eavan Boland’s poetry is how real she is as her personal experiences are reflected in her poems. The normality of the poem is also shown with the concrete images portrayed in the poem, the speaker herself, the horse destroying gardens, the neighbours peering from behind curtains. Incorporating numerous poems from her first books, as well as a previously-unpublished verse play, the book demonstrates Boland’s restless and incessant attempt to escape from, or at the very least complicate, the Irish lyric tradition she inherited.

The poem is not only local, as it is easy to identify with if you know the ‘Enniskerry road’ but also national as Boland moves on to refer to the troubles of the IRA ‘recalling days of burned countryside’. Boland is known as one of the foremost female voices in Irish literature, with her poems shining a spotlight on the lives of women, especially their domestic lives. firmaments with the dead. The next poem I will mention is ‘The War Horse’. ’ In conclusion, the poetry of Eavan Boland has great appeal for a number of reasons. It shows lack of reason mirroring the absence of a reason for the bombings and chaos that the troubles brought. On March 5, 2017 By catherinebrockner .

Eavan Boland. She wasn’t Yeats or Heaney, so her poetry wasn’t widely accepted as “traditional Irish poetry.” Still, she continued to write and put herself in what was always considered a … Also her ability to write so freely and intimately about personal relationships as she does in ‘love’ is a credit to the ability of the poet herself.

The universal theme is finally injected blatantly in the last three words ‘A …

Her work deals with the Irish national identity, and the role of women in Irish history.

Although her use of an irregular rhyming scheme with many half rhymes such as “Relief” and “safe” and her use of enjambment and irregular sentence lengths ranging from one to six lines long reflect the complexity of the poem so it is not to say her accessibility in her poems makes them easy. This automatically disrupts the initial flow and creates an unsettling tone yet the words are to reassure us, ‘He is gone’.

a place where you found But also again her sharing the blame as she does not blame the loss of romance in their marriage on her husband but rather on both of them. Lastly, the imagery in the poem as mentioned before are solid and concrete making them accessible but also they are symbols which adds to the complexity and enables the reader to relate to the poem. Boland’s use of language begins passionately, intimately as she shares the places ‘bridge in the river’ but also mythical as she refers to the underworld ‘the hero crossed on his way to hell’ but to the end becomes almost negative asking ‘will we ever live so intensely again?

Eavan Boland was born in Dublin, Ireland. Eavan Boland. Boland’s ‘Love’ structure is interesting in the fact that it is divided into 8 stanzas but it is very noticeable that in the first few stanzas when she is speaking of better times when her and her husband were so madly in love they are longer but as the marriage gets tougher, the stanzas get shorter finally ending in one with only two lines.

Secondly the language in this poem is very important as it alters the meanings of the words to convey the different messages in the poem.

Boland wrote this poem in response to a photograph of a fireman carrying the body of a dead child from the debris of the Dublin bombing in May 1974.

However Eavan takes this memory and symbolises it into war.