It was unacceptable for women to enter the botteghe, run by well-known male painters, as students. She paid much attention to small details, such as embroidery, lace and jewels that women and men wore when they posed, showing all possible status symbols. Other artists who grew up in artistic households were the Milanese still-life painter Fede Galizia (1578–1630), the famous Artemisia Gentileschi (1593–c. 1st ed. In her early period, Lavinia's style is strongly influenced by her father's, but shows as well the influences of Emilian painters, like Correggio or the less famous Lelio Orsi, and the Fontain-bleau school, revisited in a Flemish use of light, and, later, of the Carraccis' naturalism. Trinita), which is considered among her greatest paintings, represents the scene of a delivery. Lavinia was trained by her father and followed his Mannerist style. 30 Sep. 2020 . Women in World History: A Biographical Encyclopedia. Born Lavinia Fontana in August 1552 in Bologna, Italy; died in Rome, Italy, on August, 11, 1614; daughter of Prospero Fontana (a painter) and Antonia De Bonardis (who came from a printer's family in Parma); married Giovan Paolo Zappi, in 1577; children: Emilia (b. The full catalogue of her work, assembled by the art historian Maria Teresa Cantaro in 1989, identifies about one-hundred works as incontestably attributed, usually dated and signed, and now located in Italian and foreign museums. Retrieved September 30, 2020 from Encyclopedia.com: https://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/lavinia-fontana. Although this subject belongs to a strong iconographic. . As the first woman to be commissioned for public paintings, Fontana earned membership in the prestigious Roman Academy. 48. Standing in shadowy gloom, the male saints appear unaware of the scene of maternal bliss before them. Oil on canvas, 127 × 104.1 cm (50 × 41 in.). She continued on to create devotional pieces in larger scale and was successful until her death in 1614 at the age of 62. Italian artist known for her portraits, who was court painter to Philip II of Spa…, Kauffmann, Angelica (1741–1807) □. The goddess of wisdom and the patroness of soldiers is dressed in her outfit. Lavinia Fontana was a Bolognese Mannerist painter best known for her portraiture. This was the rule for the vast majority of Italian women painters of the 16th and 17th centuries, the only exception being the noblewoman Sofonisba Anguissola (1532–1625). Finally, in all her self-portraits (Self-portrait at a Clavichord with Servant, 1577, Self-Portrait in the Studio, 1579, and the Self-portrait, drawing, 1595), she underlines her lady-like attitude and social status, showing elegant, jewel-ornate dresses. ( Log Out /  Her earliest known work, "Monkey Child", was painted in 1575 at the age of 23. ." Lavinia Fontana was born in Bologna in 1552 to Prospero Fontana and Antonia de' Bonardis. What is, however, is what each man holds. (September 30, 2020). By the time she reached her thirties, Fontana was respected as a painter of devotional art. Encyclopedia.com. Her few preserved letters attest to a polished and skilled Italian. One century later, in 1678, Lavinia's first historian Carlo Cesare Malvasia (whose lengthy work on Bolognese painting is of lasting importance) states that Lavinia's father personally took care of her artistic education, but we know for certain that she never worked in the bottega. https://jp.painting-planet.com/, http://it.painting-planet.com/, http://in.painting-planet.com/, https://pl.painting-planet.com/, http://kr.painting-planet.com/. "Fontana, Lavinia (1552–1614) There, she thrived again with the upperclass and formed strong bonds with many noblewomen in her district. The females, brightly clothed in elaborate detailed costume, push their husbands and father, dressed in blacks and browns, back causing them to recede into the shadows. ( Log Out /  Privacy Policy. Galli, Romeo. Saint Margaret is recognizable by her attribute, the dragon that accompanies her. Pittura in Emilia dei secoli XVI e XVII. The artistic verisimilitude of the painting would have made its iconography all the easier for contemporary viewers to read. Born in Bologna in 1552, Lavinia Fontana was the daughter of cosmopolitan fresco artist and teacher Prospero Fontana, who established his reputation in Rome and joined Giorgio Vasari in adorning Florence's Palazzo Vecchio.