The new high-def presentation is excellent, though, making the release a must for admirers of the film. Don’t Look Now is many things: terrifying, poignant, mysterious, sexy, tragic. Donald Sutherland and Julie Christie mesmerize as a married couple on an extended trip to Venice following a family tragedy. The Criterion Collection's Blu-ray of Don't Look Now is a 4K transfer that looks far better than the Paramount print I saw in Westwood in 1973 (with Miss Hirsch from the National Theater -- … While maintaining its strong narrative line with several heart-stopping sequences, Don’t Look Now is replete with such original moments, true to Roeg’s ethos of remaining open to the happy accidents that occur in filming, so that the meeting of life and celluloid becomes a dialogue, not a prescription. Ty Landis reviews The Criterion Collection's Blu-ray of Nicolas Roeg's "Don't Look Now," starring Donald Sutherland and Julie Christie. The film had previously been available on a British export Blu-ray, but this new transfer puts it to shame. Sutherland and Christie are excellent, and the production values are extraordinary, particularly Anthony Richmond's cinematography and Pino Donaggio's haunting musical score. In all it’s very strong. Don’t Look Now was adapted by Allan Scott and Chris Bryant from a short story by Daphne du Maurier and in the same Q&A I just mentioned, Roeg … While in that elegantly decaying city, they have a series of inexplicable, terrifying, and increasingly dangerous experiences. The European Optimum disc gained a somewhat infamous reputation for having a heavy amount of noise reduction applied to it and because of that I never did pick it up (though not always 100% accurate, screen captures showed a heavily compromised image), hoping that someone in North America would issue a better disc at some point. "Don't Look Now" is based on an equally chilling short story by Daphne du Maurier, who gave us the novel "Rebecca" and another short story you may know from a movie made by someone named Hitchcock: "The Birds." The experience of course led to doing other scores, like Brian De Palma’s Carrie (and according to Donaggio De Palma watched Don’t Look Now numerous times because of the score). Sutherland and Christie are excellent, and the production values are extraordinary, particularly Anthony Richmond's cinematography and Pino Donaggio's haunting musical score. Nicely accompanying that last feature is a 43-minute interview between editor Graeme Clifford and Bobbie O’Steen. British tabloid newspaper, the Daily Mail, observed at the time "one of the frankest love scenes ever to be filmed is likely to plunge lovely Julie Christie into the biggest censorship row since Last Tango in Paris". Product Promotions. A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a brilliantly disturbing tale of the supernatural, as renowned for its innovative editing and haunting cinematography as its naturalistic eroticism and unforgettable climax and denouement, one of the great endings in horror history. of the same characters. What are yours? Criterion ports over two featurettes produced by Blue Underground that appeared on other European releases: ”Don’t Look Now” Looking Back, from 2002, and Death in Venice, from 2006, running 19-minutes and 17-minutes respectively. Clifford would purposely use some of the more unconventional, unnerving, and “off” takes to create a sense of unease, probably best displayed in the sequence where Sutherland’s character goes to the police inspector, who was played by an actor not comfortable with English. I enjoyed the next feature a little more, which is an interview with composer Pino Donaggio. Jumping on the sale early, I was not going to miss ordering the Blu-Ray this time. While in that elegantly decaying city, they have a series of inexplicable, terrifying, and increasingly dangerous experiences. The disc then closes with the film’s theatrical trailer. Criterion’s new Blu-ray of Don’t Look Now presents what will probably be the best available edition of the film for a long, long time. Donald Sutherland and Julie Christie mesmerize as a married couple on an extended trip to Venice following a family tragedy. In the past, when Criterion had their flash sales, Don’t Look Now had been sold out. The included insert features an essay by David Thompson, who goes over the film’s story, presentation of grief, the editing, and how it compares to the original short story on which it is based. Don’t Look Now hits Blu-ray from Criterion in an absolute stunner of a disc. The first features interviews with Roeg, director of photography Anthony Richmond, and editor Graeme Clifford. The two also admit to lifting shots and sequences directly for their own films. "Don't Look Now" is one of those films that you're never truly sure what's going on and where it will go next, but that's part of what makes it so effective. From these takes he took the most uncomfortable ones with the inspector and worked the scene around those. It could also be seen as a film with appropriate bookends. Some of the higher pitch moments have a bit of an edgy squeal to them but that’s about the worst that can be said about the track.  - Days of Being Wild, Warner Brothers Archive Collection Blu-rays, [DVD and Blu-ray News and Discussions] / Sat Apr 24, 2021 11:28:50 AM, [The Criterion Collection] / Sat Apr 24, 2021 11:07:53 AM, Killers of the Flower Moon (Martin Scorsese, 2021), [General Film Discussion] / Sat Apr 24, 2021 09:14:49 AM, [BFI DVDs and Blu-rays] / Sat Apr 24, 2021 09:03:07 AM, [Boutique Labels] / Sat Apr 24, 2021 08:55:57 AM, The Criterion Channel -- Film and Content Discussion, [Criterion Rumors and News] / Fri Apr 23, 2021 10:50:05 PM, [The Criterion Collection] / Fri Apr 23, 2021 10:03:28 PM, [General Film Discussion] / Fri Apr 23, 2021 09:59:39 PM, [Criterion Rumors and News] / Fri Apr 23, 2021 09:26:53 PM, [Boutique Labels] / Fri Apr 23, 2021 07:34:58 PM, I'm Thinking of Ending Things (Charlie Kaufman, 2020), [The Criterion Collection] / Fri Apr 23, 2021 03:38:42 PM, [Boutique Labels] / Fri Apr 23, 2021 03:13:01 PM, [The Criterion Collection] / Fri Apr 23, 2021 03:11:11 PM, World of Wong Kar Wai In the end it looks good, keeping a natural filmic look and it appears any manipulation has been kept to the bare minimum. One of the best thrillers of the 1970s finally gets the (well deserved) Criterion treatment. Don't Look Now (Criterion Collection) $28.89 $33.99.  - Fallen Angels, World of Wong Kar Wai  - Happy Together, World of Wong Kar Wai  - Chungking Express, World of Wong Kar Wai The Human Fly, World of Wong Kar Wai DON'T LOOK NOW is a hypnotic descent into the supernatural as only Daphne du Maurier and Nicolas Roeg could imagine it. The disc then features footage from a Q&A session with Nicolas Roeg at Ciné Lumière. Film grain is present and looks natural for the most part, but I noticed some blocking in a few places (stills clearly show this issue but in motion it’s not as noticeable). 15% off sitewide (excluding sale items, exclusives, and select items) Shipping Promotions. That all these disparate qualities are woven together so seamlessly is partly a miracle of cutting, so one must give proper credit to the film’s editor, Graeme Cliffor…. DON'T LOOK NOW is a hypnotic descent into the supernatural as only Daphne du Maurier and Nicolas Roeg could imagine it. John Baxter (Donald Sutherland) holds his daughter from a pond in Don’t Look Now. Don't Look Now has become famous for a sex scene involving Julie Christie and Donald Sutherland, which caused considerable controversy prior to its release in 1973. "Don't Look Now", Nicholas Roeg's masterful Venitian set psychological thriller gets the special edition treatment courtesy of US boutique label Criterion graced with a new director approved 4k high definition transfer, original uncompressed audio a plethora of extra features and a glossy fold out insert. To either read or join in on our discussions visit our forums.  - As Tears Go By, This site is not affiliated with The Criterion Collection. Criterion still has plenty to offer on this, their fifth Roeg release. Even as Roeg uses the criss-crossing Venice canals and roadways to get John lost, he doesn’t manage to create much sense of peril. AKA: A Venezia... un dicembre rosso shocking. During this 14-minute segment the two directors (interviewed separately) talk about the influence Roeg had on them, focusing primarily on his framing, angles, and editing, explaining what struck them most about his style.  - Happy Together, World of Wong Kar Wai Interview from THE CULTURE SHOW, broadcast on BBC2 24/06/08 Don't Look Now (Criterion Collection) Images. The Criterion Collection presents Nicolas Roeg’s Don’t Look Now on Blu-ray in its original aspect ratio of about 1.85:1 on this dual-layer disc.  - Chungking Express, World of Wong Kar Wai For me, the most terrifying scene in Don't Look Now is a testament to Nicolas Roeg's direction, Scott and Bryant's script, and Donald Sutherland and Julie Christie's skill as actors as the scene itself is nowhere near traditionally frightening, and out of context seems almost bland and/or relieving. Welcome to CriterionForum.org, one of the premier destinations on the web to discuss DVD releases from The Criterion Collection, Masters of Cinema, and other DVD production companies from around the world. Unlike Hitchcock, though, Roeg doesn’t manage to extract much suspense out of the writer’s tale. The Criterion Collection presents Nicolas Roeg’s Don’t Look Now on Blu-ray in its original aspect ratio of about 1.85:1 on this dual-layer disc. I found this segment a bit scattershot and unfocussed as the three talk about various aspects of the film, from scouting the church that appears in the film to the sex scene, the imagery, and then the film’s use of red (amusingly the interviews feature what appears to be someone wearing a red hooded jacket in the background). Editorial Reviews. The scene was unusually graphic for the period, including a rare depiction of cunnilingus in a mainstream film.  - Fallen Angels, World of Wong Kar Wai DVD Blu-ray Disc … A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a brilliantly disturbing tale of the supernatural, as renowned for its innovative editing and haunting cinematography as its naturalistic eroticism and unforgettable climax and denouement, one of the great endings in horror history. Those are our three reasons. It’s a fantastic and fairly illuminating interview on the film’s editing and language, easily the best feature on here. This new release disappointingly reuses a lot of older material for supplements, but it still contains some great features on the film’s editing and visual language. N icolas Roeg’s Don’t Look Now is driven by a crushing sense of emotional desolation. New 4K digital restoration, approved by director Nicolas Roeg, with uncompressed monaural soundtrack on the Blu-ray, New conversation between editor Graeme Clifford and film writer and historian Bobbie O’Steen, Q&A with Roeg from 2003 at London’s Ciné Lumière, English subtitles for the deaf and hard of hearing, PLUS: An essay by film critic David Thompson. The legendary British director—now the subject of a retrospective on the Criterion Channel—opens up about the creative process behind some of his most provocative works. ID: aec.crrn2444dvd Format. With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg. It’s been cleaned up extensively and I don’t recall many blemishes, and the transfer delivers superb details and textures throughout. This very in-depth interview features Clifford talking about the complex editing of the film, while O’Steen asks him about particular scenes. Don’t Look Now could be seen as a story told backwards from the ending, as there is symbolism about what’s to come littered throughout the mise-en-scene.  - In the Mood for Love, The Invisible Man Appears/The Invisible Man Vs. Overall the features are fine, with some decent analytical elements looking at the film’s editing and Roeg’s style, but the lack of much in the way of new material, especially a commentary, disappointed me somewhat. While in that elegantly decaying city, they have a series of inexplicable, terrifying, and increasingly dangerous experiences. Colors are rich, details are crisp, and the streets of Venice are evocatively terrifying. 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