Well,/for instance, Mike Goldberg/is starting a painting. google_ad_format = "160x600_as"; ): Stage Women's War Re... Sculpture This and Sculpture That: Harry Murphy, S... Sculpture This and Sculpture That: Clever. Post a comment or leave a trackback: Trackback URL. monthly or a yearly subscription and search the entire collection from Art increasingly aimed to … Thus Schuyler delights in "the tonic resonance of / pill when used as in / ‘she is a pill’" and O'Hara confides that "sometimes I think I'm ‘in love’ with painting." Copyright © 1993 by Brad Gooch.

For in fact, Frank’s art turns out to be just like Mike’s’. Just as Duchamp observes that the creative act requires both artist and spectator, here we have O’Hara employing himself as both at the same time.

The poem exemplifies Marjorie Perloff’s idea of art as ‘process, not product’ through enjambment, representing time passing: ‘The painting / is going on, and I go, and the days / go by’. Art increasingly aimed to disturb and break moral taboos. leaning on the john door in the 5 SPOT  As an English student at heart, I’m going to get a bit stuck in with some analysis. | Benefits Home Irony also meant arched eyebrows, an effect that the poets obtained by the strategic use of quotation marks. One can say in turn that the painters he knew and cultivated would not possibly have achieved all they did without O'Hara's enthusiasm and feedback.". ( Log Out /  But me?

I look up. So Cheesy it's good: Latin Explosion. Goldberg’s painting in mentioned at the end of Frank O'Hara’s poem “Why I am not a Painter.” Why I Am Not a Painter. If someone asks a stupid question, O’Hara implies, it deserves a stupid answer. O'Hara was involved in the making of different painter's works, many of whom were first or second generation New York School artists. *

Well, for instance, Mike Goldberg I think I would rather be a painter, but I am not. Well, for instance, Mike Goldberg for instance, Mike Goldberg is starting a painting. This plays on Duchamp’s talk who describes how ‘the artist may shout from all the rooftops that he is a genius; he will have to wait for the verdict of the spectator in order that his declarations take a social value’. On the drive to the house Goldberg was renting that summer on Georgica Pond, the only topic of discussion was the tragedy of Billie Holiday's death at the young age of forty-four. Ms fullest exposure to her had been two years earlier at Loew's Sheridan on Seventh Avenue and Twelfth Street in the summer Of 1957 when she had appeared a few hours late for her midnight show.

Saved by America Martin America Martin Many literary blogs choose to include some poetry – either posting a favourite or including a bit of background or analysis. letters, "It was too much," Mike says. Waking far apart on the bed, the two of them:  Arriving back at the house, Goldberg put a Billie Holiday record on the hi-fi while Patsy Southgate, having finished putting the two kids to bed, brought out a tray of hors d'oeuvres. "Where's SARDINES?" The news of Holiday's death led O'Hara to think back to the last time he had heard her sing. google_color_text = "FFFFFF"; Michael Goldberg, Sardines, 1955. September 20, 2016 Lindenwood ... We're not sure when or where a photographer first asked his or her subjects "It was very close to the end of her life, with her voice almost gone, just like a whisper, just like the taste of very old wine, but full of spirit," recalls Koch. The place was quite crowded. Mike Goldberg’s painting, ‘Sardines’ (1955) does not contain any representation of the title object just as O’Hara describes how ‘My poem / is finished and I haven’t mentioned / orange yet’. google_ad_type = "text"; Owners can take over the job of the pancreas. Perloff suggests that ‘it becomes clear that the poem is a profound jest. "I've been playing her records all afternoon," said Goldberg. Irony was either "the citadel of intelligence," as Ezra Pound called it, or "the test of a first-rate mind," as Scott Fitzgerald maintained: the mind's ability to hold contradictory ideas at the same time and continue to function. Almost is good enough In this century, beauty stopped being important. details of the images. your desktop, compare multiple images side by side and zoom into the minute

The subject doesn't matter. The painting is going on, and I go, and the days go by. O'Hara doesn't say. Kaplan writes: "O'Hara was a very generous friend.
go by. www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. for instance, Mike Goldberg. Powered by, Another interesting blog from the Bloglapedia Networtk, A (person) should hear a little music, read a little poetry, and see a fine picture every day of his life, in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul. Once on the way to a poetry reading he composed a poem on the Staten Island Ferry. the countryside during the war, he is pictured on a visit with his mother Welcome it in every fair face, in every fair sky, in every fair flower, and thank God for it as a cup of blessing.”, "The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanely sensitive. to Mal Waldron and everyone and I stopped breathing. I look The seemingly inconsequential anecdote in the poem is actually a restatement of another, more celebrated anecdote illustrating that the medium is the difference between the painter and the poet. All that's left is just I think I would rather be/ a painter, but I am not. A retrospective show, "Abstraction Over Time: The Paintings of Michael Goldberg", is showing at MOCA Jacksonville in Florida from 9/21/13 to 1/5/14. One … He does continue the poem with a riff on the color orange: "But me? She showed up to visit with Waldron and later in the night was persuaded to break the law by singing. My writers site (Click the book above) Featured Post. | About I see Mike's painting, called SARDINES.". you... • Phoebe Fairweather, 23, was stepdaughter of late artist John Like the San Remo a few years earlier, the Cedar had been picked up by the media and was now overcrowded with tourists on the lookout for Pollock-like painters, and young guys cruising for loose "art girls." I drop in. orange yet. In the first half of the poem he observes Goldberg’s painting through his process, without ever asking for reasoning behind his artistic decisions.

is going on, and I go, and the days. I drink; we drink.

Snow Crystal Motifs, Japanese postcard, Late Meiji... John Tuohy's In Praise of the Rhode Island Wiener: The Hot Wiener: A Rhode Island Icon. And this is another lesson that "Why I Am Not a Painter" teaches: What looks spontaneous may really be the product of a calculation, a fabrication, in the same way that Franz Kline's calligraphic black-and-white compositions, which seem like homages to an improvisatory ideal, were preceded by careful studies and sketches. In this poem O’Hara is poking fun at the distinction between art and life. He continues, "Why? It turns out, however, that "Oranges" was written in 1949, when O'Hara was still a Harvard undergraduate, many years before he met Goldberg. One thinks, reading it, that O'Hara wrote a prose poem called "Oranges" at the same time that Goldberg painted Sardines, and that the conjunction is an accident. I think I would rather be/ a painter, but I am not. "Sit down and have a drink" he.

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.
I go and the days go by By some strange, unknown, inward urgency they are not really alive unless they are creating. Campbell General Hospital, located at Florida Avenue and 7th Street several Michael Goldberg (December 24, 1924 – December 31, 2007) was an American abstract expressionist painter and teacher known for his gestural action paintings, abstractions and still-life paintings. But she did sing." for more information on the collection, click on the link below the Silverberg comments: ‘Each starts with a minimal source (sardines, orange) and from this improvise a chain of associations that so exceed their beginning that the original stimulus seems to disappear altogether’. The painting is finished.