Access and Transparency The Morgan is committed to providing the fullest possible access to its collection and landmark facility, and to serving a broad and diverse audience of all ages, including students, scholars, and the general public. The original library–the core of Morgan Senior’s fashionable McKim, Mead & White designed Manhattan home–has accrued an annex and subsequent additions over the past near-century of the museum’s history, most recently with the integration and expansion by Renzo Piano. In 1924, his son J. P. Morgan, Jr. (1867–1943) fulfilled his father’s dream of making the library and its treasures available to scholars and the public alike by transforming it into a public institution. A perfect exterior was meant to suggest a similarly unblemished moral character within. Thank you. Nevertheless, the focus on the written word, the history of the book, and master drawings has been maintained. These structures as well as the Morgan’s priceless collection had to be preserved and protected during a major construction intervention. In addition to being a bibliophile, Morgan’s collecting tastes and activities ranged from Egyptian art through Renaissance paintings and Chinese porcelains, and included some of first great masterworks to come to the United States. Since the library … (The Morgan Library & Museum), An online exhibition showcasing the exquisite classical architecture of The Morgan Library & Museum, Democrats’ Commission on Presidential Capacity Is ‘All for Show’: Rep. Mark Green, Hurricane Delta Makes Landfall in Southwestern Louisiana, Trump Plans In-person Event at White House on Saturday, Rally in Florida on Monday, 2 Top Democrat Congressmen Question Pentagon’s Inquiry into Nationalized 5G, Trump: Pelosi’s 25th Amendment Commission About Replacing Biden, The Morgan Library & Museum: A Treasure Trove of Culture Inside and Out, One such online exhibition is The Morgan Library & Museum’s “Explore J. Pierpont Morgan’s Library.” It. The ceiling designs include the three epochs included in the museum: the ancient world, the Middle Ages, and the Renaissance. The banking firm he founded, now called JPMorgan Chase & Co., became the largest bank in the US.

Stacked in the East Room are three tiers of bookcases filled with early Gutenberg Bibles (the earliest printed, non-handwritten editions), classics of French and American literature, and first editions of Copernicus and Galileo, a, Samuel White is the grandson of Stanford White, a partner in the architectural firm of Charles McKim, the architect of the museum. The center's rotating exhibitions are often superb, as are its regular cultural events. Originally, only one tier had been planned, but Morgan’s collection grew as the building was being constructed over four years. Many prized works are also kept in the West Room’s solid steel vault. “This was one person’s personal library, which is astonishing.”. During quarantine, I’ve found online exhibitions to be particularly inspirational. Adorned with Italian and Dutch Renaissance artworks, Morgan's personal study is only trumped by his personal library (East Room), an extraordinary, vaulted space with three stories of walnut bookcases, a 16th-century Dutch tapestry and zodiac-themed ceiling.
As you walk past the two stone lionesses, through the recessed portico, and enter the museum, you feel like you’re stepping back in time to the Italian Renaissance. The Morgan Library & Museum Our first stop is the Morgan Library & Museum (225 Madison Avenue, at 36th Street; general admission, $22), a … Architect Charles Follen McKim (1847–1909) designed the Morgan in the American Renaissance style, adapting elements of the Italian Renaissance for an American setting. “The East Room is one of the great library spaces in the world,” says John Bidwell, who is the Astor curator of printed books and bindings.
The Morgan Library & Museum has contributed approximately 200 images from its permanent collection to the Artstor Digital Library. Gerbrand van den Eeckhout, Seated Youth in a Hat, with His Chin Cupped in His Left Hand, c. 1670, The Morgan Library and Museum, View the entire collection in the Artstor Digital Library ⟶. The expectation is the name will shift to “The Morgan,” and in applications of the signature, “Morgan” is customarily highlighted in a contrasting color. In the last two decades of his life, Morgan spent $900 million (in today's dollars) on art. In 1902 American financier Pierpont Morgan (1837–1913) chose architect Charles Follen McKim (1847–1909) of the prominent firm McKim, Mead, and White to design a library to house his growing collection of rare books and manuscripts. Stacked in the East Room are three tiers of bookcases filled with early Gutenberg Bibles (the earliest printed, non-handwritten editions), classics of French and American literature, and first editions of Copernicus and Galileo, among others.

The building was created in the style of a grand Renaissance villa worthy of one of the Medicis. Letters appear pin-mounted in gold, bronze and bright red, as well as on glass and in a steel bas-relief at the main entrance. We use cookies to understand how you use our site and to improve your experience. The Morgan Library & Museum has contributed approximately 200 images from its permanent collection to the Artstor Digital Library. Antonio Rossellino’s bust of the Christ Child is one such work that especially deepens your visit to the museum. The selection provides a range of highlights from The Morgan’s European drawings collection from the Renaissance to the 20th century, featuring celebrated works from Albrecht Dürer through Francisco Goya and Paul Cézanne. In 1902 American financier Pierpont Morgan (1837–1913) chose architect Charles Follen McKim (1847–1909) of the … Learn how to contribute. The Morgan Library & Museum.