She won the Pulitzer Prize for Poetry in 1993 for her collection The Wild Iris. This article discusses reworkings and re-interpretations of the myth of Demeter and Persephone in contemporary women's poetry. Glück is the author of twelve books of poetry and was appointed Poet Laureate Consultant in Poetry to the Library of Congress in 2003. *Correspondence: Department of English and Comparative Literature, Goldsmiths, University of London, New Cross, London SE14 6NW. Most users should sign in with their email address. For full access to this pdf, sign in to an existing account, or purchase an annual subscription. Love and blackmail are the gist of it. Search for other works by this author on: © The Author 2012. See more ideas about Louise gluck, Poems, Poetry. If you originally registered with a username please use that to sign in. Ceres and Persephone the names. by Richard Siken and Louise Glück | Apr 11, 2005. And have. Louise Glück, the winner of the Pulitzer Prize, the National Book Award, and the Bollinger Award, often writes poetry based on myths. Pomegranate, from Louise Gluck's The House on Marshland (1975) It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide, This PDF is available to Subscribers Only. The title of her 2006 collection, Averno, refers to a crater lake in Italy, which is the mythic gateway to the underworld of the dead, known as Avernus in Latin — you may remember it from Virgil’s Aeneid.

Ravenna on the grand tour: a view of late antiquity in the eighteenth century, Epic Regained: Phillis Wheatley’s Admonitory Poetics in the ‘Little Columbiad’. Kristin Diane, Pomegranate, from Louise Gluck's The House on Marshland (1975). Poem Source: Poems 1962-2012 - Louise Gluck - Farrar Straus and Giroux - 2012 $ upport Poetry: Please check your email address / username and password and try again. And the best thing about the legend is I can enter it anywhere. For Permissions, please email: [email protected]. Please enable JavaScript to experience Vimeo in all of its glory. All rights reserved. (October 2020) LRB 21 July 2005", "Versions of Ascesis in Louise Glück's Poetry", "Writing Without a Mattress: On Louise Glück", "Sounding Lowell: Louise Glück and Derek Walcott", "John Simon Guggenheim Foundation | Louise Glück", "Awards – American Academy of Arts and Letters", "Vermont – State Poet Laureate (State Poets Laureate of the United States, Main Reading Room, Library of Congress)", "Academy Members – American Academy of Arts and Letters", "Louise Gluck | The Bollingen Prize for Poetry", "Louise Glück: Online Resources – Library of Congress Bibliographies, Research Guides,and Finding Aids (Virtual Programs & Services, Library of Congress)", "Wallace Stevens Award | Academy of American Poets", "Golden Plate Awardees of the American Academy of Achievement", "Search Results for "Gluck" – American Academy of Arts and Letters", "Poeten Louise Glück får Tranströmerpriset 2020", "Eberhart and Ginsberg Win Frost Poetry Medal", "All Past National Book Critics Circle Award Winners and Finalists – National Book Critics Circle", "Rebekah Johnson Bobbitt National Prize for Poetry (Prizes and Fellowships, The Poetry and Literature Center at the Library of Congress)", "PEN/Martha Albrand Award for First Nonfiction Winners", "English Speaking Union of the United States", "PEN New England and the JFK Presidential Library Announce Winners of the 2007 Hemingway Foundation/PEN Award and the 2007 L.L. Louise Elisabeth Glück (/ ɡ l ɪ k /; born April 22, 1943) is an American poet and essayist.One of the most prominent American poets of her generation, she has won many major literary awards in the United States, including the National Humanities Medal, Pulitzer Prize, National Book Award, National Book Critics Circle Award, and Bollingen Prize, among others. from The pomegranate that symbolizes Persephone’s sexual awakening provides the title for poems by Louise Glück (1971), Eavan Boland and Ruth Fainlight and Rachel Hadas’s ‘Pomegranate Variations’ . The only legend I have ever loved is the story of a daughter lost in hell. Why does classical reception need disability studies? Louise Gluck Best Poems and Poetry. Published by Oxford University Press. Louise Glück’s most recent books are American Originality: ­Essays on Poetry and the poetry collection Faithful and Virtuous Night, which won the National Book Award.A new collection, Winter Recipes from the Collective, will be published in the winter of 2022.

For the admirers of Louise Glück's first book of poems (Firstborn, 1968), the second may initially seem less a treat. Add content ratings to your videos so your grandma doesn’t encounter your Mature work by mistake. FREE Shipping on your first order shipped by Amazon. 19 $18.00 $18.00. Get your team aligned with all the tools you need on one secure, reliable video platform.

Louise Glück is an American poet. Post jobs, find pros, and collaborate commission-free in our professional marketplace. TM + © 2020 Vimeo, Inc. All rights reserved. The Pomegranate. 4.8 out of 5 stars 190. Oxford University Press is a department of the University of Oxford. And found and rescued there. Paperback $14.19 $ 14. Finally, in Louise Glück’s Averno, the narrator switches between Persephone and an omniscient third person narrator depending on the poem.

Winship/PEN New England Awards | JFK Library", "Table of Contents: Norton Anthology of Poetry", "Table of contents for The Oxford book of American poetry", "Librarian of Congress Makes Unprecedented Poetry Appointments", "Creative Writing hosts faculty reading tonight", https://en.wikipedia.org/w/index.php?title=Louise_Glück&oldid=982698526, American people of Hungarian-Jewish descent, American people of Russian-Jewish descent, Columbia University School of General Studies alumni, Members of the American Academy of Arts and Letters, Nobelprize template using Wikidata property P8024, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, National Endowment for the Arts Fellowship (1970), Guggenheim Fellowship for Creative Arts (1975), National Endowment for the Arts Fellowship (1979–80), American Academy of Arts and Letters Award in Literature (1981), Guggenheim Fellowship for Creative Arts (1987), National Endowment for the Arts Fellowship (1988–89), Honorary Doctorate, Williams College (1993), Honorary Doctorate, Middlebury College (1996), School of Humanities, Arts, and Social Sciences 50th Anniversary Medal, MIT (2001), Poet Laureate of the United States (2003–2004), American Academy of Arts and Letters Gold Medal in Poetry (2015), Rebekah Johnson Bobbitt National Prize for Poetry for, PEN/Martha Albrand Award for First Nonfiction for, Ambassador Book Award of the English-Speaking Union for, This page was last edited on 9 October 2020, at 19:30. You could not be signed in.

Eavan Boland - 1944-2020. Isobel Hurst, ‘Love and blackmail’: Demeter and Persephone, Classical Receptions Journal, Volume 4, Issue 2, November 2012, Pages 176–189, https://doi.org/10.1093/crj/cls014. The importance of this archetypal narrative of women’s experience to the formation of a female literary tradition is demonstrated in discussions of poetry including Rita Dove’s Mother Love and Louise Glück’s Averno. as the narrator of “Pomegranate,” as well. Mar 23, 2014 - Explore The Literary Corner's board "Louise Gluck." Receive exclusive offers and updates from Oxford Academic. Narrators achieve varying effects with their differing styles, adding layers of meaning to the myth of Persephone. on Pinterest. Make social videos in an instant: use custom templates to tell the right story for your business. Browse and buy exceptional, royalty-free stock clips, handpicked by the best. You do not currently have access to this article. Get it as soon as Wed, Aug 5. The House on Marshland lacks some of the verve of the first volume--the characteristic muscularity of language, the skillful use of ellipsis, the yoking of some hard and unlikely images--but it gains in other ways. “Louise Glück: The Ardent Understatement of Postconfessional Classicism.” In The Veiled Mirror and the Woman Poet: H. D., Louise Bogan, Elizabeth Bishop, and Louise Glück.