Royal Collection, UK. 1733. 1733. The Collection contains the set called 'Marriage A-la-Mode'.

Oil on canvas. William Hogarth Marriage a la Mode: The Tete a Tete.

Fitzwilliam Museum, Cambridge, UK. Large, high-quality images. William Hogarth is unquestionably one of the most influential English artists of his time and a man of remarkable character and thought. Lord Iveagh, London, UK. The darkly satirical series of William Hogarth (1697-1764) have an enduring appeal today. 1726. c.1730.

1987.

13 Lincoln's Inn Fields, London, WC2A 3BP   Your visit.

1735-1740. Hogarth's narratives present a satirical take on the idea of 'progress'. All of the paintings and engravings in Hogarth's series will be united for the first time to examine his complex views on morality, the society and the city. Dulwich College Picture Gallery, London, UK. As technology changes, so do we. Hogarth: Art and Politics 1750-1764 by Ronald Paulson. The National Trust, Bearsted Collection, Upton House, Edgehill, UK. Oil on canvas. Thames & Hudson, 1985. Cutting through social conventions, they present with wit and humour the immorality and vice that Hogarth perceived in all classes of society. Tate Gallery, London, UK. Witty, satirical, subversive and hugely talented, William Hogarth remains one of the most fascinating and innovative artists from the eighteenth century.

1736.

The Nation's Gallery, open and ready when you are. Engraving. Moscow. National Gallery of Scotland, Edinburgh, UK. Works by living contemporary artists inspired by Hogarth are also on display, including Yinka Shonibare and Paula Rego.

Engravings by Hogarth by William Hogarth. Find works with an alternate reference number (for example, Key Set number) containing: Metropolitan Museum of Art, New York, USA. 1721. If you are looking for an object in our collections, please search our collections online database. William Hogarth at Olga's Gallery. 1736. c.1728. Works by living contemporary artists inspired by Hogarth are also on display, including Yinka Shonibare and Paula Rego. 1730. One of the largest collections of paintings online. Image: Detail from William Hogarth, 'The Painter and his Pug', 1745 London, Tate Britain © Tate Gallery, London  Hogarth is best known for his series paintings of 'modern moral subjects', of which he sold engravings on subscription. Displayed across the backdrop of Sir John Soane’s Museum, the exhibition will demonstrate how Hogarth’s ‘Modern Moral Subjects’ married the idea of progress with the moral geography of London, in a dynamic and evolving way throughout his own progress as an artist. ★★★★★ The Guardian Dover Pubns, 1975. The National Gallery of Art, Washington DC, USA. Princeton Univ Pr, 2000.

Oil on canvas. Sir John Soane's Museum, London, UK.

St. Bartholomew's Hospital, London, UK.

1728. Oil on canvas. ★★★★★ Timeout Displayed across the backdrop of Sir John Soane’s Museum, the exhibition will demonstrate how Hogarth’s ‘Modern Moral Subjects’ married the idea of progress with the moral geography of London, in a dynamic and evolving way throughout his own progress as an artist. Oil on canvas.

By April 1720, Hogarth was an engraver in his own right, at first engraving coats of arms, shop bills, and designing plates for booksellers. As an artist, he was the first to bring themes from "popular culture" into fine art, borrowing themes and subjects from Shakespeare, Milton and the theater, and was the founder of a wholly original genre of "moral histories", which continued to be described for centuries (and to this day!)

This exhibition has been made possible thanks to the support of Andrew Edmunds, Sir John Soane’s Museum Foundation, William Loschert, David and Molly Lowell Borthwick and those who wish to remain anonymous. Giovanni Antonio Canale, called Canaletto, Georg Christoph Grooth (aka Kleine Grooth). Oil on canvas.

c.1731.

“Worthy of Hogarth’s genius” Country Life. 1747. What the papers are saying The exhibition explores an artist who was strikingly modern in character, confronting subjects and themes – the city, sexuality, manners, social integration, crime, political corruption, charity and patriotism– that continue to preoccupy us today. Oil on canvas. "Fabulous Exhibition" Evening Standard Iskusstvo. Oil on canvas. He is one of the great innovators in English art, both as a critic and as an artist.

Hogarth W. The Analysis of Beauty. National Gallery of Art. If you are looking for a shop item, please search our online shop.

Oil on canvas. Admission free By advance booking only. The exhibition makes the case that Hogarth was in fact Britain’s first truly modern artist, and shows the relevance of his work to British art now. His society portraits easily rival those of Gainsborough or Reynolds, and the variety and energy of his output is outstanding. Alan Morrison, lecturer at the University …, William Hogarth: past Tate Britain exhibition. The principal characters flout conventional morality and so progress not towards spiritual enlightenment but to poverty, madness and death. Welcome. In making his way within London’s artistic life, Hogarth soon began to specialise in graphic satire. 1999. The British Museum, London, UK.

Rutgers University Press, 1993. XIII-XX centuries. No other artist’s work has come to define a period of British history as powerfully and enduringly as Hogarth’s. Trafalgar Square, London WC2N 5DN Book your visit. Painting of Europe. Open daily 11am–6pm Friday until 9pm.

As a critic, he investigated the aesthetic principles of art, which resulted in his seminal book The Analysis of Beauty (1753).

c.1729. Hogarth (World of Art) by David Bindman.

Oil on canvas. Hogarth's London Hogarth began his career as an engraver, in a city where the display of graphic art was one of the backdrops of everyday life.

Exhibitions. The exhibition demonstrates that Hogarth wasn’t only a brilliant satirist as it showcases every aspect of his multi-faceted career: his remarkable paintings, ranging from elegant conversation pieces to salacious brothel scenes; his vibrant drawings and sketches; and the numerous engraved works for which he is most famous today, including Gin Lane and Beer Street . Encyclopedic Dictionary. Ashmolean Museum, Oxford, UK.

Hogarth Lighting has grown to become the number one choice for lighting fine art in the world. City Museum and Art Gallery, Birmingham, UK. Featuring hundreds of artists and thousands of works.

Oil on canvas. c.1730. National Gallery of Ireland, Dublin, Ireland. Oil on canvas.

William Hogarth is recognised as the first great artistic chronicler of modern urban experience. as Hogarthian. Engraving. This is the first in Hogarth’s series of six paintings titled Marriage A-la-Mode. The British Museum, London, UK.

London settings, still identifiable today, play a key role in these cautionary tales: in A Rake’s Progress, the Rake's initial progression from the mercantile City of London to an extravagant West End mansion spirals to a brothel in Covent Garden, then ultimately to insanity and death in Bedlam madhouse, as a consequence of his dissolute lifestyle.