The design by James Renwick included the installation of stained glass in the windows, which had until then been fitted with clear panes.

The art of opalescent stained glass grew into a signature American style by the end of the nineteenth century.

Thousands of Images covering the History of the White House, Official White House Ornaments, Books & More, State Rooms and Entrance Hall on the First Floor, sheets of opalescent glass incrusted [sic] with vitreous jewels of topaz and ruby and amethyst, romantic image, an elusive memory, and an alluring mystery. She died before he took office as President. It is believed to have been installed at the Belvedere Hotel in Chesapeake Beach, Maryland, and destroyed when the building burned to the ground in 1923.20 Fortunately, Saint John’s Church has been a responsible custodian of its historic legacy, actively conserving its architecture and interior furnishings.21 Visitors to the church today continue to enjoy and appreciate the Lorin stained glass. .

The latter is her traditional attribute from medieval Christian iconography, based on a tenuous association with the nameless woman who anoints Jesus’s feet with perfume from an alabaster vessel (Luke 7:36–50). In a letter to his friend Judge Davis, just before the trip to Chartres, the former secretary of state and Saint John’s congregant Hamilton Fish teased him about the French windows, “Would Latrobe recognize it as having originated in his conception?”17 Nevertheless, it was a fashionable choice for a fashionable church. . They both applied for and were granted similar patents for opalescent glass, but LaFarge filed in 1879 and was granted approval in 1880. From 1883 to 1885, the windows were designed, the glass made and cut in France, and then it was shipped for assembly by N. H. Egleston Jr., a New York glass studio commissioned by Renwick for some of the minor windows at Saint John’s.5.

It became a distinct American innovation in the art of stained glass.

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